Full Lockdown explores the effect of Spider’s past on his present, in particular his witnessing the death of his identical twin brother. In other stories involving Spider—Lucifer and Peek-a-boo—this death is looming offstage; in Full Lockdown, we directly see how the trauma—and its ensuing narratives—affect Spider’s behavior.
Spider clearly over-reacts as if there’s a real threat despite the lockdown being a drill. He thinks the teacher, Ms. McCree, will be inadequate and “a serious liability,” just as he believes “grown-ups never actually [stop] bad things from happening.”
It’s as if by being hypervigilant, he—and only he—can save himself and others.
We see this not only when he’s under duress with the drill, but at the story’s opening when he inspects the sixth grader’s tongue depressor bridges. He assumes the bridges will fail, and though it’s three years away, he feels pressured to plan how he will build his bridge. If this seems like an intellectual exercise, don’t be fooled. His preparing is driven by his anxiety, underscoring a belief that he must prepare himself for an unsafe world.
All this makes sense given his past. His brother was killed in an unpredictable, random accident. His solution—his hypervigilance—is an attempt to control the uncontrollable.
His mom’s role
For kids, the parent’s omnipresence and omnipotence serve to protect and reassure the child in a world that is too big, too unpredictable, and potentially too hostile.
In his fading memory of the day Frankie was killed, Spider recalls “a woman who is their mom somewhere behind them, there but not there.” For Spider, his mother is absent at the moment she is most needed. She doesn’t protect Frankie, and Spider experiences this not only as his mother’s failure, it establishes a generalized expectation for all adults.
This informs Spider’s trauma narrative: if a parent can’t be relied upon to keep a child safe, then it’s up to the child to keep himself (and others) safe.
When Spider sees his dead brother
A surprise comes in the story’s second half: Spider reveals to the reader that he saw his dead brother among the other kids. What’s the meaning of this? Is Spider crazy?
I don’t think so. Instead, I think his brother’s imaged presence is a kind of reenactment. It’s as if Spider can recreate the circumstances of his brother’s death but with a different outcome.
In this case, Spider believes he and some five-year-olds are in imminent danger. Unlike the past, he can now actively save his brother—as represented by the other five-year-olds—rather than passively witness his death.
Related Posts

Full Lockdown
A school lockdown triggers a surprising response from a student.

The 7 Key Ways a Child’s Mind Works
To understand kids—and respond to their behavior—we have to understand how a child’s mind works. This post reveals the mysteries.

The Most Common Harmful Narratives in Children
A list of common harmful narratives children develop, why they develop these narratives, and how you can keep the narratives from forming.


4 thoughts on “What’s Going on in “Full Lockdown””
Do you think Spider would feel survivor’s guilt?
Great question. Very likely, yes. It would make sense. He lived whereas his brother didn’t, and no one can explain why the death occurred, much less why it was Frankie who was killed and not Spider. It was simply luck.
Spider would likely also feel a kind of burden that he was now living for two people, that he was sustaining Frankie’s presence through his own life and actions.
I’d love to explore this more in another short-short.
Thanks for the comment!
I love the character of Spider, and loved the story Peek-A-Boo.
I’m curious why you decided to give him an identical twin rather than a fraternal twin. Is there any meaning behind this? How does Spider’s having an identical twin change things for him versus if he’d been a fraternal twin?
I’ve always been interested in identical twins in how they develop a bond with each other while also establishing their individuality.
With Spider, I wanted to explore the loss of his twin which is made more complicated by the fact of their being identical twins.
Identical twins grow up and develop in unison and in response to each other. Sometimes they invent their own, personal language as infants before they learn their parents’ language. But they are profoundly affected by the fact that everyone treats them as a unit. After all, they may be hard to immediately differentiate.
I think the fact that Spider—his given name, we learn in Lucifer, was Francis!—and Frankie are identical twins means that Spider’s grief and resulting narratives are more complicated. It’s as if Spider has lost part of himself with Frankie’s death.